News from the bridge today

The Rock River surface as crumpled aluminum foil. 25 Sept. 2016

The Rock River surface as crumpled aluminum foil. 25 Sept. 2016

Homecoming was a week ago. View of south end of bridge, 25 Sept.

Ribbons remain lashed to the rails, though Homecoming was a week ago. View of south end of bridge, 25 Sept.

Under the south end of bridge over Rock River at Byron, 25 Sept. 2016

The hobos’ gallery: Under the south end of bridge over Rock River at Byron, 25 Sept. 2016

The cheeriest under-bridge art ever, possibly.

The cheeriest under-bridge art ever, possibly.

Signed Gerald I'm sincere

“signed gerald I’m sincere”

Stay positive.

“Stay positive.”

Oak leaf bunch, south of bridge, 25 Sept.

Oak leaf bunch, south of bridge, 25 Sept.

My dog and "YOLO!" under bridge.

My dog and “YOLO!”
under bridge.

Oak leaf, south of bridge. 25 Sept.

Oak leaf, south of bridge. 25 Sept.

 

How to break through writer’s block

Thanks to former student Sam Moore’s request for advice, I too have something to post this evening: 

Two pieces of advice:

1. Sometimes it helps to stop working now and try later if you’re really not feeling it. But if the deadline is soon,

2. Just do a freewrite where you throw down onto the page or screen any and all words that come to mind, the closer to the assigned topic the better. Afterwards, go back and delete as much of the crap as possible, and turn the assignment in and hope to do better next time.

Thoreau had some advice I like in the “Conclusion” to Walden:

Having considered that in an imperfect work time is an ingredient, but into a perfect work time does not enter, he said to himself, It shall be perfect in all respects, though I should do nothing else in my life.

Or, in other words: If the quality of the work is the priority, then take all the time you need to make the work great. But if getting done on time is the priority, then do it without worrying so much about quality — it’s not the priority.

 

How Google Images samples this blog

When I did a Google images search on “monkeymoonmachine,” this is what I saw.

monkeymoonmachine-images

I kinda like how random this assortment of pics is. And of course, some of the later images aren’t even from my blog.

Update: Some minutes later, additional searches of the same keywords turn up different images:

monkeymoonmachine-images2

 

monkeymoonmachine-images3

How to read a post from my journals or pocket pages

Revised (because when quality matters, time doesn’t.)

If you read texts selected from my journals and pocket pages expecting there to be a “take-away,” a clear message or story, you may be disappointed. But if you read these to get a sense of the presence of my mind (my voice, my sensibility) from these texts, you may find these valuable.

Before I realized this distinction in ways of reading, I looked at my journal texts and judged them inadequate, because they weren’t already in the form of polished narratives or essays. For years, I wondered whether I should go back and craft these raw freewritings into publishable articles, rewriting them as needed until they fit the familiar forms. But this approach didn’t feel right. I usually wrote about my experiences by describing my thoughts and feelings afterwards, rather than writing these as moment-by-moment, show-don’t-tell descriptions. Doing that seemed artificial — I don’t live by narrating everything that happens; I write only after experiences have been had. I write for myself, and not for others, who weren’t there, to understand and empathize with me. I preferred writing down whatever I thought at that time, writing honestly for myself, rather than shaping my words so that I’d be perceived favorably by some unknown reader.

I finally realized that these honest-to-the-moment journal writings had value if the purpose of reading were redefined. I thought about how reading poetry can be different from reading prose. With prose, whether novels, journalism, memoir, etc., readers tend to look for meaning — plot, story, lesson, etc. But with poetry, readers can enjoy other aspects, including the sounds of words, rhythms of lines, images-as-images, etc. I sometimes read poems, such as haiku and Richard Brautigan’s short poems, just to get a sense of mood or a sense of the writer’s voice, his or her particular sensibility. So, too, I have found value with my journal texts, and you may as well.

You can dive in anywhere, even in the middle of a post of journal text, and treat each sentence or section like its own poem, reading just for the experience of reading, of communing with another mind. You don’t have to read the whole post or all the posts. There’s no index of topics, and there will be no overarching message. I don’t wanna write as if I’m some wise person who’s figured stuff out and is ready to teach others. Maybe some text-bits are wise, but some aren’t. Some bits might be funny, and others will be serious. My journals don’t have a consistent tone because, of course, lived experience doesn’t have a single tone. My writing is more a part of my living than it is something I do to make a career or advocate an ideal.

My journals will never have an ending — they’ll just stop when I die — but because they’re not intended to become anything else, they’re also already whole, complete, fulfilled. As a writer, I am fulfilled just by filling the journal pages. And a reader can take an analogous perspective.

By the way, these journals will not be posted here in a systematic way — just the thought of that exhausts me — and that’s OK because systematic is not necessary. These journal texts are as accurate as I can make them (because I can’t always even read my handwriting!), but they are not the entirety of the journals — I’ve tried to include only the parts I think are the most interesting.

After September 11th, the U.S. loses its mind

The following is my response to a request made by a history teacher at my school to recall what I remember of the September 11 terror attacks.

What I remember is the sense that there were multiple incidents — the two planes into the WTC, the hit at the Pentagon, and one plane still missing (until it was later found crashed into rural Pennsylvania). I was watching the TV with my students in my physics room at the old high school, and this was during my first year of teaching, and I wasn’t sure I should be abandoning my lesson plans, but I couldn’t imagine teaching that day. I recall being shocked at first, and then later feeling exhausted from thinking about it all day.

In the days, weeks, and years that followed, I remember being dismayed at how the U.S. responded. As I wrote in an email to a friend in the fall of 2001, “After Oklahoma City [bombing in ‘95] and the first WTC [bombing in ‘93], the response was a CRIMINAL investigation, not a military action, and I’m not sure why the criminal approach was never considered (or so quickly dropped) in this case.” The political leaders of both parties seemed to forget rational debate and deliberation, and what the government did after — passing the PATRIOT Act, torturing suspects, holding people without trial at Guantanamo Bay (still going on), invading Afghanistan (still going on 15 years later), and invading Iraq (even though Saddam Hussein had no connection to the hijackers) — gave the terrorists exactly the over-reaction their attack seemed design to provoke. The scariest part to me, after that first day, was how the public in general seemed to be of one blindly vengeful mind, and I remember feeling quite alone in my dissent.

‘Live like you’re already dead’: Exquisite Corpse poems, August 2016

Here are this fall’s Creative Writing classes’ poems written in the Exquisite Corpse method. See here for previous semesters’ poems.

Why even go to the extreme of doing absolutely nothing.

Pretty girls are not nice guys.

Nice guys don’t get wemen [sic].

The small dog slept quietly but the small words speak truth.

My only weapon of mass destruction hurt like a dislocated kneecap.

Cows eat grass like nothing is fun to do.

Everything I ate today was walking down the street I live on.

Aren’t you going to help, cried the helpless boy.

Do you like to read the title and wonder all the time?

Skunks — I don’t even know what they are saying.

You’re never going to be who you want to ask her to dance.

Invisible people would like to be or not be.

Go at the green, light the cigarette, and pass out next to fire.

Say absolutely nothing until a giant panda just took my hand in marriage.

Towards the end he liked that girl but he never knew why.

To me love is like the ice cream is melted the chocolate into bars.

We clapped to the music inside a penguin.

Backwards people are like books.

Milk tastes bad when warm like a fresh fart.  

Expensive dogs were cuddling aggressively.

This is my life story of how grandpa got rid of all my best friend.

My best friend came over to pick the nose of the future and past.

She gave birth quickly. She ran home.

Surprise, it’s me, the money-hungry son of a huge turkey leg.

A lot of things are yet to come and eat our babies.

Go iron pancakes.

High School Musical was disappointing me by killing Harambe.

You never really need to go through puberty.

Insane boys are not something Santa didn’t get me.

Butts are all different sizes. So are things that we all think about.

A lot of things are confusing like a donkey at the fair across town.

She told him to leave, but she is naturally pretty.

She should go die in a big hole with love and affection.

I help to build the dog that hid the dog.

Live like you’re already dead.

Peas are little green balls of fury in China.

Ear holes are where sound goes.

She dumped a big fat black book in the library’s cracked shelf of total complete shame.

The funeral pyres are very green today.

Very cute guys lie like a dog on my mother’s grave.

Sweet corn tastes like sour candy.

Your dad spent time with my life choices.

Poison her drink so she will die today and live in heaven while in the kitchen, mom makes nasty friggin’ meatloaf.

Pancakes are very soft like a baby’s foot.

My dear horse was riding a monkey swung from a tree.

The girl is lonely far away among Walmart’s towels twisted like tongues kissing in a tree slowly falling to her death.

Applies cry at apple cider festivals.

Dumb like a broken skunk.

Peacefully they agreed on stuff, like Hercules and Andromeda.

Never eat the red jellybeans shoved up hard in her no-no parts.

Do you ever want to watch your slow cat eat a dead body?

Rats like to bathe in sugar and blood.

I know how to fly a cat.

My stomach is in your abdomen.

Very very good pie is good three years old.

My knee has a baby.

Dude, Imma take advantage of having a knife.

The sun is big and round with plum sides.

Junior is your year of solace and solstice.

Fleek is my eyebrows’ jelly time.

Blue donut powder is like Heroine.

She loves to go to be or not.

Night is jealous of her best friends.

Baby aliens are insanely great to take pills with.

Baby aliens are insanely great to take pills with the bottles of the time we went to the store to the end of time.

No patatoes [sic] taste god.

You are a wonderful person that is sitting.

Mayo goes on ham sandwiches made of mayo and then a cat got told I was adopted.

Dirt doesn’t love you.

Round table knights were delusional.

Delusionally, this mouse got stuck.

Bro, I love me some people.

The pleasure of the pig ran into the dog.

The dog ate the cheese cake and lots of the boot and two children playing alone.

Bees’ knees get ACL surgeries.

Washington Square Park: More from Pocket Pages notebook #50

 

This phone number no longer connects to me.

This phone number no longer connects to me.

21 February 1998: My radio-station colleague Cheryl Uitti the other day said how we’re all haunted by the media image of the white woman.

2 March 1998: Symbolism, paradox, irony, appearance/scene-setting: the literary tools of my new journalism. But are these too pat, too easy a set of analytical tools?

4 March 1998: I’m here at the station late again tonight, but this time it was exciting. Talking with [reporter colleague] Rob about stories, about my organic agriculture story, about using simile, about being passionate and using that to pitch public radio. And I got excited about the crack house story tonight on “All Things Considered” — how raw that was, and how incredible. Maria called and I got excited just telling her all the details of the Whitacre sentencing [I attended]  today — how technical the jargon and details, yet how informal the interaction was. And the judge semi-scolded Whitacre before he read the sentence: how Whitacre was unlike most defendants in that he had opportunity, he was a “meteoric” success, but that his motive was “garden variety venality and greed.”

4 March 1998: Taking a shit is an act of health.

6 March 1998: On plane: Substance/denial/meaning: the fallacy of food and material “pleasures.” There’s no meaning for me there, and therefore little pleasure from food these days — so little desire for candy, shrimp, etc. A hollow experience.

How many people are like me? You don’t hear this (old-fashioned) idea in pop culture. But you can’t legislate or really even preach it and have this idea accepted. People have to see the emptiness for themselves.

6 March 1998: 5-ish, Barnes & Nobles near NYU campus, New York City: There are so many people here. Yet they aren’t all famous. A few rise up — maybe there’s hope for me.

Taking pictures of small things as emblematic of the whole is false.

Old wooden water tanks on top of buildings.

I don’t even want to stop and read things now. I’m too dazed and my attention captured by all the sights around me — buildings, people, etc.

7 March 1998: NYC, hotel lounge, near Chinatown/Little Italy: The fruit seller, the bean curd (?) seller, the mob guys I see out this window — I don’t know them, they’re meaningless, they are symbols, objects to me. The “mob guys” outside “Maria’s Restaurant”: old Scorsese-looking guy smokes a cig, puffing it, not really smoking it, his hands in his pockets, standing there while a young, somewhat unraveled-looking Chinese guy talks excitedly to him. Then the younger guy, who is sweeping thru this and ignoring the guy when he directs his talking and hand-slapping to him, this young guy whips out some bills, the Chinese guy takes them, goes on to a retail store down the street, slides in thru an opened door. Those two stay there like they are conducting street business as much as the curd seller and his shopping cart are. Not long after, they went inside (maybe) and closed the garage door. And a kitty there later — too perfect.

7 March 1998: The subway goes below our hotel. Little tremors, sound like thunder, when it passes.

The older buildings here in Chinatown: lots of dirty walls, old water taknks on top of the buildings.

Lots of foreign voices here in C-town. This would surprise me more if I didn’t hear this with some regularity in Champaign-Urbana. See, I am somewhat worldly compared to how I was in high school.

This city is laid out differently from what I thought from seeing it in movies.

Lots of activity at the fruit stand pretty early — at least there was when I got up at 8.

I’ve seen some pics of NYC in movies, etc., but even those establishing shots don’t move. There are hundreds of views of even the same building, and so the one shot you get in a movie is so 2-D, so shallow, unreal. The richness of even just one building in the flesh vs. a single picture of it.

I’m planning on walking the city today. Even I’m a bit surprised at my — what’s the word — brashness? Comfort with the city? I’m not even sure I would do this with Chicago or D.C. Here, the “good” area is lots bigger. When I look outside at the fruit stands, etc., and see all the moving people, going places, I get a little hesitant to go out into that, to fight crowds, etc. But then I know I want to and I brace myself — but not much because I’m not that reluctant.

9:40, The bean curd guy packed the crates and buckets into his shopping cart, strapped it down with a bungee, and wheeled his business away.

7 March 1998, Saturday, nearly 11 a.m., Washington Square Park, Greenwich Village, NYC: I’m writing this note while sitting on a bench in Washington Square Park! That’s the only real point to the message, is that it’s being written in Washington Square Park.

And as I’m writing this, I’m thinking that as I read this some time in the future, it’ll be more like a thing, a souvenir, than a memory, and that it won’t come anywhere near recreating this scene, which is to say, it’s a cloudy, cool but not cold day, pretty much meets expectations for an early March day. There’s a mild wind, and that’s cold, but OK to sit here for 10-20 minutes, but not much longer. There are a fair number of people here, more adults than any park I’ve ever been to, on a day when there’s no festival, anyway.

All ages of people, all manner — old, parents, lots of young-ish types, 30s and such. Guy with his dog on a 3.5- or 4-foot pedestal. Athletic sort of guy. He tosses a blue ball to the dog and it bumps/pushes it with its nose back to the guy in an arch [or “arc”?] People watch and photograph. Somebody said something like “that dog was in People magazine.”

Little pug dogs around me — little guy nosing all around. A younger woman walked by with a smaller, grayer pug — and the two women talked about the dogs — breeding dogs: “What do you do, put ’em together and let ’em go at it?” — the older blonde smoker with baby — almost a Fred Stoller kind of flat, slow accent. Silver (female) pug’s owner — a Latina-looking-but-not-sounding woman.

There’s a real police presence in the park — several cops walking around, a couple vans. NPR last week said they installed cameras to watch for drugs, etc. I haven’t seen any cameras. A woman during that story said she doesn’t mind surveillance cameras because it makes the park safer, able for her to use it. And I’m thinking about that now as I see the people here. Everyone seems upstanding, not even any gruff-looking people.

A park police guy tells the woman to leash the dogs. The blonde shoves her dog into a mesh basket under the baby carriage. The dog lies down, he doesn’t seem to mind.

Writings done at Washington Square Park.

Writings done at Washington Square Park.

How to describe my sitting here: I’m looking at this pad of paper and seeing the dark green bench, the brick and pavement and my red coat and blue-jean’d legs to the periphery of my vision. I look up, people are scattered at various distances — lots of sitting, walking, watching -(lots of cameras — are professional newspaper photographers here just to get slice-of-life shots? I mean, not that they shoot and print only off-beat photos here, but that this is a regular place to start.) There’s some greening grass, not lush or dense yet. Mostly bare trees, but some are pale, yellowish green with buds. At least the tree is that’s between me and the 85-foot tall monument (I remember the height from a tourist book I read last night).

The monument is north-center in the park. Big brick-paved, concrete-benches circle is in front of me, in park’s center  — and another ring in the middle of that, 100 feet across, maybe. It’s sunken a few feet and step-benches line it, an amphitheater of sorts — a magician/performer was drawing a crowd there yesterday. We didn’t see his act but his circulating of a coffee can: “Any Irish in the crowd? Saint Patrick’s day is coming up. Get out your green.”

A dog run to my right — I’m surprised there aren’t more fights there amongst the leash-free animals.

It’s about 11:30 now. About 10 minutes ago, when the ladies leashed their pugs and left, the whole park play underwent a change of characters. The ball-dog guy left, the dog run cleared out, etc.

The mood here is just kinda mellow — it’s Saturday, nice day for a stroll in the park. There are little kids here, too, dad with two little kids 2,3,4 years at most, in a plastic wagon. Are they NYorkers, I wonder, or tourists. Do those kids live fulltime in Greenwich Village? Those kids are loose now, walking around. One of them does that bubbling giggle, up and down, elicits a smile from yours truly.

Lots of cameras here — is everybody watching everybody else?

I’m conducting a survey of the theory that dogs look like their owners. Not seeing much of a positive correlation in today’s research. I’m starting to get chilled — almost time to go. The park’s open “ceiling” is a nice break from the surrounding tall buildings. The giggling kids are both wearing many-colored fleece overalls, like the PJs I used to wear. One, a pink and purple suit, other, green and blue, with hats.

Bunny Modern author sets his first babynapping scene in Wash Sqr Park. In reading that, I hadn’t quite pictured this, though in a strange way, not so far off, either. A group of about 30 or so college or high schoolers, probably, stopped and posed for a pic around the rim of the amphiteather inner-ring. They want a picture of them in Washington Square Park!

In a way, that’s the image/myth/legend I’m buying into, too, at least when I wrote the first part of this note. The park as a celebrity. A brush with fame! This park today seems safe, even dull — not particularly significant, except for its history,  and that wouldn’t draw people. What draws them is the park’s reputation as it has been popularized in books, movies, etc. [and now in my own blog post. 21 Aug. 2016] For example, the Washington Square imprint is using and furthering the park’s countercultural image. From what I had heard of the park before, I thought it would be in a slum, not near university.

It seems a uniquely NYC phenomenon (or at least it happens a lot more often here ) that you overhear some interesting tidbit of a conversation. Do people talk more openly here than other places, or are their conversations more interesting?

This city, at least around here, has the existentialist image down — lots of thin, serious-looking people, quiet dressers, lots of them smoking. At least on a cloudy day like today it looks existential. Not depressing, per se, but mellow, detached.

My impression before coming here was that TV, sports, radio — common interests elsewhere across the country — aren’t as popular here in NYC because what is popular here (at least in Manhattan) are things like theater and books — what the people are into is books, etc., and I like that.

The scene before me is detailed, sharp — I think the overcast light helps that, lights things evenly so they appear saturated colors, etc., lots of detail. 11:50 a.m.

I moved to a new bench. Couple other things: lots of fences here now — unpaved areas fenced off — to save the grass? Snow fences around black metal pipe permanent fences. The statue of Garibaldi at east side of park the frosted-green patina of copper — the statue pedestal below is in poor shape. The statue is drawing a sword. Under that, on the pedestal, it says:

GARIBALDI 1807–1882

and that’s all. No other words, no plaque justifying this statue’s existence. But the concrete below the words is cracked, chipped, peeling.

I just looked up from my new spot — right ahead of me, to south of park, directly up the road, like a path directly there — are World Trade towers. Finally! I see a NY skyscraper.

You know, I want to walk around the city, see buildings and Central Park — but right now I’m waiting for Maria — she says she wants to go to only one Federalist Society [conference] session. “An odd group,” she said today. (I’m not sure if “odd” was her word, but that was the meaning.) And that was what I was thinking, so it surprised me a little to hear her agree. Too many conservatives, too many lawyers, too many men, too many bowties.

So I have another 45 minutes until I am to meet Maria and I’m not sight-seeing, but I’m very happy just sitting in the park this last hour, writing and observing. This is perfect. Nothing I’d rather do.

The mind-boggling thing is that this area has lots of people, buildings, things going on and things to see. And this is only one small part of one borough out of five in one city of (the cabbie said) 13 million people. There’s just so much going on it would be nearly impossible to write about. At least NYTimes does take an interest in the uniqueness of the city, in its style photos and “Living in the City” diary.

I still want to buy a NYTimes for $2.50 tomorrow (the low cost part of the charm, of course) but I don’t really feel much like reading papers this trip, not like I have wanted to read papers in the past, partly ’cause there’s so much else to see here and I have read the Times before but also I think it’s because I’m so sick of all news lately.

7 March 1998, 12:50 p.m., outside in front of NYU law school: It’s hard to believe some of these “Feddies” — more conservative than libertarian, I’d say — but still. This one plump guy who came out, wearing trench coat, hair quite short, glasses like George Will or something, with ear pieces on top — bow tie, white shirt pressed out by belly — pudgy, bland Rush Limbaugh face and smoking Marlboros — jeezus. Kinda like bland arrogance personified in a young body where it really looks affected and put on. Why — and how — would someone try so hard to look like conservatism larvae? I mean, it has to be a put on, right? That can’t be natural, right? I mean, the guy’s not 25, probably.