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When you tell a joke, you make an argument to the audience, which has to agree to see the context/set-up from the your perspective. And when you tell a joke, you mean it, at least in that moment. You reveal that you’ve taken a position — say, if you tease someone for being short, you are revealing that you have an idea of what height people should be. You reveal your expectations, your criteria for judging others. 30 April.
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Ideas about the past — like those in a documentary I saw about London in the 1300s — are still just ideas. 2 May.
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“I love it when people get embarrassed — unless it’s me,” said a senior student of mine, practically defining what it means to be embarrassed. 4 May.
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Looking at papers containing student arguments, I read a student’s statement that said our class definition of “real” is true. But then I thought that definitions aren’t true or false — they’re just definitions. 4 May.
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It’s kinda weird that English professors just write about interpreting other texts. I know I’ve read some interesting interpretations, and yet, it seems odd that so much writing in our culture is not about real things or events but about other texts or artworks. Watching the movie O Brother, Where Art Thou? recently, I’d noticed something I’d not noticed over several previous viewings (specifically, that at least four times, a character mentions that people are looking for “answers”). It strikes me as interesting, this repetition of this idea, but I don’t really know that observing this pattern is all that important — it doesn’t fundamentally change my interpretation of the movie. It starts to feel like a game that the filmmakers are playing, if they did this intentionally, but to what end? I wonder what’s satisfying for me in playing this art-interpretation game. 10 and 12 May.
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I’m 43. I could live another 43 years — or I could have a heart attack tomorrow. I feel both old and not-old (or I feel these alternately). Driving down my town’s 2nd Street today, I saw two young men crossing an empty lot and I thought about the generations coming up, how they too will grow old with us. And then I saw a very old man out front of a house, and I thought, that could be me one day — but it’s not me yet. 11 May.
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We ask questions of other people when we want some information from them. But a mind may also ask something about the physical world — “Why does this natural feature (like a cave, say) exist?” But the physical world doesn’t answer our inquiry. We humans have to figure it out ourselves. Our question is an abstraction that is satisfied only by another abstraction, the answer. 12 May
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Perhaps God is inscrutable because God is a cat (at least it’s a funny conceit: “And the Lord sayeth unto Jacob: ‘Rairr.'”). Perhaps God has a feline sensibility instead of a human one; if God’s as indifferent as cats are, that might explain the problem of evil. 16 May.
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As I was walking my dog this evening, I was shifting my mindset from focusing only on my life (my stresses, etc.) to remembering the dog also lives in the world — and he lives differently from how I live. He lives in a different mind. 19 May.
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ALL ideas are “according to” some person — all ideas, all facts, all stories come from a person (rather than existing spontaneously in nature, say). 23 May.
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I was too tired last night to read, which means thinking of elsewhere. I could only be here, and tired. 24 May.
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Several characters I’ve had as students this year. From left: Katelyn R., Zach P., Katelyn P., Matt P., Alexia P., Christian P., Kenzie P. 27 May.
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As students lined up for their high school graduation ceremony, one senior said to teacher as she walked past, “Thanks for pushing me through!” The teacher answered, “Thanks for passing!” 27 May.
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Two of my creative writing students, Luis M. and David E., with yours truly, after the graduation. 17 May.

Devyn D., Ali V., and me after the graduation ceremony. I’m not always good at using my face to convey normal human expressions. 27 May.
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The only way we know to root for the Rebels against the Empire in Star Wars is that the Empire uses worse methods — their means (such as Vader choking a subordinate) are excessively violent, and therefore illegitimate. Both sides have the same ends of wanting power, wanting to be in control — the main reason why we root for one over the other is the morality of the means. 28 May.
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Visiting a cemetery on 29 May, it came to my mind to say that I like cemeteries because “nobody’s trying too hard.” There’s a calming lack of ambition among the graveyard denizens.
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