Tag Archives: wife

‘Am I still married to your wife?’ April quotes from the pocket pages

Panda Express, Wright and Green streets, Champaign, Ill., 13 April.

Near soda drinks at Panda Express, Wright and Green streets, Champaign, Ill., 13 April.

φ  “If I’m a figment of your imagination, then you’ve got some messed up imaginations,” said student after we said we might be imagining him. 31 March.

φ  “Tonight, we’re gettin’ fricked-up,” said my friend Nina. The previous night’s drinking was just about seeing people, she clarified. 2 April.

φ  “Yesterday, I was so hungry, I had to make pancakes at night,” said my father-in-law. “WHO made the pancakes?” said my mother-in-law, adding that she’d used cake mix to make them. 2 April.

φ  “That’s me — who’s the old man I’m kissing?” asked my wife as she looked at a photo of us before realizing that the old man she was kissing was her husband. 3 April.

At Beef-A-Roo, Machesney Park, Ill., 24 April.

At Beef-A-Roo, Machesney Park, Ill., 24 April.

φ  “Showing up for work is usually a reasonable employment policy,” said my wife of her office’s stance in relation to an unemployment claim. 4 April.

φ  “But YOU’RE working HERE,” said student after she said nobody who goes to our local community college gets a good job, and then I’d said that I’d gone there before I became a teacher. 5 April.

φ  “Am I still married to your wife?” asked student of me. This was in response to a hypothetical that he and I were both injured and my brain were put into his body. Later, my wife answered yes, that she’d rather be married to my brain than my body. “There’d be a different you in you,” she explained. 6 April.

Prairie grows back after spring burn. 29 April.

Prairie grows back after spring burn. 29 April.

φ  “I’m so excited to grow up, but I’m kinda scared at the same time. I can’t wait to get a bunch of cats,” said my senior student. When I teased her about wanting so many cats, she said, “it’s true, though.” 6 April.

φ  “If I turned you into a robot, would you tell me” that you’re a robot, asked student of me. 6 April.

A narrow view of the Rock River at Byron. 31 April.

A narrow view of the Rock River at Byron. 31 April.

φ  “No matter what she’s talking about, there are eye rolls involved,” said a fellow teacher of a certain student. 8 April.

φ  “I love things that vary in height coming to see me,” said my wife as her dog, her cat, and her husband came to see her as she got home. 8 April.

Holey barn, Church Road, Ogle County. 12 April.

Holey barn, Kings Road, Ogle County. 12 April.

φ  “I have no weaknesses and every weakness,” said a young woman on the University of Illinois at Urbana-Champaign Quad to another woman as they walked behind me. 13 April.

φ  “…now I can’t stand peanut butter,” said a guy standing near Foellinger Auditorium on U of I Quad. “At ALL?” said a woman listening to him. “At.  All.” he confirmed. 13 April.

At detail of the painting Jim Graham, The Arborist and his Daughter, at iHotel

A detail of the painting The Arborist and His Daughter by Jim Graham at iHotel in Champaign. My student L. said another painting nearby looked like “a Jackson Pollock impression” of this painting. 13 April.

φ  “You’re not funny,” said student to me, as he laughed at something I said. “Usually I’m a better liar,” he lied. 13 April.

φ  “I like to calculate while I go,” said student as she took her calculator into the restroom with her. She was alluding to a story I had told about another student attempting to take a library book with him to the bathroom, and when I asked what he was doing, he had said, “I like to read while I go.” 13 April.

φ  “‘Cuz she’s, you know, have you MET her?” said student telling me why another student doesn’t like a certain teacher. 13 April.

Pigeons near the Chase Building, Monroe Street, Chicago. 1 April.

Pigeons near the Chase Building, Monroe Street, Chicago. 1 April.

φ  “We play wife with his euchre,” said a fellow teacher, before reversing the nouns, about socializing with another teacher. 14 April.

φ “Shouting random things at people is my forte,” said student 20 April.

φ  A student announced he was willing to strip his way through college. “I’ve got nothing to be ashamed of,” he bragged. “Your personality,” corrected another student. 21 April.

Ice cream and pie at the diner. 29 April.

Ice cream and pie at the diner. 29 April.

φ  “I feel like a cat — I have a hair in my throat,” said a student as she entered my classroom. 21 April.

φ  “OW — uh-OW, uh-OW, uh-OW,” said a crow, iambically, as I walked my dog. 22 April.

φ  “I was expecting ducks and all I saw was a pig … disappointing,” said a sophomore student about “ag day” animals at our school. 22 April.

Bethel Road, Ogle County, 21 April.

Bethel Road, Ogle County, 21 April.

φ  “Everything I ate today I mooched,” said student after lunch. 25 Feb.

Donkey, horse, dust cloud. 21 April.

Donkey, horse, dust cloud. 21 April.

φ  “You and I are not the only ones who make fun of her,” said a friend, about an acquaintance. 26 April.

Near Jarrett Prairie Center, Byron, Ill. 29 April.

Near Jarrett Prairie Center, Byron, Ill. 29 April.

φ  The quality of being impervious: imperversion? I wondered. 27 April.

φ  “You HAVE to DIE!” said my student after he asked me during class whether I’d prefer to starve to death or drown, like Eurylochus chose in Book 12 of The Odyssey. 28 April.

φ  “Steam punk– that’s the thing now, steampunk,” said a middle-aged woman at Joann Fabrics, Rockford, Ill. Answered a younger woman, “don’t let the fact that YOU just discovered it…” 30 April.

From a bridge over Rock River. 31 April.

From a bridge over Rock River. 31 April.

 

Link: Actress Leighton Meester on Curley’s wife

Meester plays the character of Curley’s wife in a current Broadway production of “Of Mice and Men.” In a piece at HuffPost titled “I’m Not a Tart: The Feminist Subtext of Steinbeck’s Of Mice and Men,” she writes of her character:

A few months ago, I read a piece by Daisy Eagan, a Tony Award-winning actress who was aiming to condemn a misogynistic comment on my character in a New York Times review. The review stated that my version of the character was intentionally lacking in the vamp department so as to dissuade the viewer from thinking that “she was asking for it,” — “it” being her death. Of course, I agreed with Ms. Eagan’s opinion in that no woman ever asks for violence or rape, and that ignorance was most likely what brought the Times writer to his conclusion.

However, during our four-month run, I’ve had ups and downs with this notion, in my own feelings of insecurity, and in studying the words of Steinbeck; not just the play itself, but in a letter that was passed on to me by our director at the beginning of our run, written by Steinbeck to Claire Luce, the actress who originated the role on stage. In the letter, Steinbeck sheds light on what is behind this character without a name, writing that, “She was told over and over that she must remain a virgin because that was the only way she could get a husband … She only had that one thing to sell and she knew it.” He goes on, “She is a nice, kind girl and not a floozy. No man has ever considered her as anything except a girl to try to make … As to her actual sex life — she has had none except with Curley and there has probably been no consummation there since Curley would not consider her gratification and would probably be suspicious if she had any.” I can barely read the letter now without tearing up at the thought of this imaginary woman, what she stands for, and what she loses. It’s only become clear to me during my time with Curley’s wife exactly how subversive Steinbeck’s work is, and how he must have intended it.

If this woman is purely a victim, why is she so hated? And if she is truly harmless, why is she so threatening? Without question, it was a commentary on the social climate at the time, which still surprisingly applies today. But if sexism is one of the featured themes, why not say it? Crooks, a character who is forced to live in the barn and away from the other men, says that it’s “because I’m black. They play cards in there but I can’t play cus I’m black.” As clear as day, the color of his skin is the reason for segregation. A modern audience cringes and immediately identifies. Such an explanation is never given as to why Curley’s wife is shunned.

From an outside perspective, one might see her desperate attempts to make a connection to these men as innocent: “There ain’t no women. I can’t walk to town … I tell you I just want to talk to somebody.” Yet somehow, invariably, a large portion of the audience seems to agree with George. They want her to leave so she doesn’t cause any trouble. I understand, because watching Chris O’Dowd, Jim Norton and James Franco make their plans for a utopian ranch, I want them to have that dream, too. But why is Curley’s wife’s presence so disturbing? And why does the audience agree? It’s the subconscious and inflammatory nature of Steinbeck’s writing that makes the viewer join in on the bashing of this woman, punish her existence, snicker at her mishaps. The genius and relevancy behind Steinbeck’s mission in writing this piece is that, to this day, it forces you to see yourself, to expose the depth of your own intolerance, prejudice, cruelty, and naiveté.

Awkward pictures from a zoo

Warning to squeamish photo-viewers: There are bad, and even juvenile, photos below. Press on at your own risk.

MILWAUKEE COUNTY, Wisc. — So, it’s hard to take good pictures at a zoo. The animals don’t always want to pose for us, and they’re far away, but that doesn’t stop me from over-zooming and clicking away at whatever I do see!

milwaukee_zoo_2013 (14)The eyebrows of a pacing hyena (take my word for it, I guess).

milwaukee_zoo_2013 (13)The retreating end of a cheetah who was intimidating just moments before this picture was taken.

milwaukee_zoo_2013 (15)There was a mellowed-out brown bear. Its luxuriating in a water feature prompted my wife to say, “I’m jealous of the bear. That’s my vacation.” She brainstormed her own zoo exhibit: “Middle-aged woman in her natural habitat. I’d lay there, play with my feet. They could bring me drinks.” And signage around her exhibit, instead of saying that she was “rare” or “endangered,” would say she’s “doin’ pretty good,” she said.

milwaukee_zoo_2013Here’s a barely differentiated mass consisting of two bonobos. They were pretty sweet, though, just hanging out, grooming each other. They made me question all my urges to accomplish things. They made sitting around seem pretty good.

milwaukee_zoo_2013 (1)This gorilla’s eyes seemed nearly human, and so was this business studying his finger.

milwaukee_zoo_2013 (2)OK, I was trying to take pictures that weren’t necessarily the most common angles. Still, I’m not sure what to do with a picture of camel butts (other than post it online and mock it).

milwaukee_zoo_2013 (3)Again, this isn’t an angle one often sees of a rhino and its prodigious poop.

milwaukee_zoo_2013 (4)Doritos in their natural habitat.

milwaukee_zoo_2013 (5)A herbivore whose name escapes me. I made sure to zoom in far enough for everything to be grainy as hell.

milwaukee_zoo_2013 (6)A hornbill whose head-parts fascinated me.

milwaukee_zoo_2013 (7)Giraffe tongue: purple?

milwaukee_zoo_2013 (8) A kangaroo post-pratfall.

milwaukee_zoo_2013 (11)One of the ideas that came to mind was to photograph the animals that weren’t necessarily on exhibit. Or if this rabbit is supposed to stay with the giraffes, there may need to be smaller gaps in the wires.

milwaukee_zoo_2013 (12)This chipmunk (or gopher? He wasn’t properly labeled) exhibited himself in the hops patch of the garden near the “Family Farm” area.

2013_08_08_mh (186)There’s a small-scale railroad that runs through the zoo. One time we had to wait as the arms came down on the path we were walking. I suggested we go around the arms, and my wife said, “the last thing I want to do is get run over by a not-real train.”

milwaukee_zoo_2013 (9)And finally, at the end of our trip, I took perhaps my favorite awkward photo — the chicken and horse rides on the carousel (in motion, of course).

2013_08_08_mh (188)When the carousel was stopped, one of the human animals did cooperate with the photographer.

2013_08_08_mh (168)And the photographer himself, when exhibited as above, was mistaken for a member of the zoological society (Really: A dude in a golf cart asked me why this tent was there, and I said I didn’t know, and he said I looked like a zoological society member).